Heiners Filmseiten – Papa (gr)

Papa (Папа)

Γερμανικά Τίτλος: Der Vater
Ρωσική τίτλος: Папа
Πρωτότυπος τίτλος: Папа

Παραλλαγές εναλλακτικών τίτλων:
Papa / Father / Daddy / Dad

Drama – Rußland
Έτος παραγωγής: 2003
Διάρκεια: 94 λεπτά

Σκηνοθεσία: Wladimir Maschkow (Wru/lru/aru/dru/iru/mru/iru/rru/ Mru/aru/scru/kru/oru/wru/),
Σεναριογράφος: Wladimir Maschkow (Wru/lru/aru/dru/iru/mru/iru/rru/ Mru/aru/scru/kru/oru/wru/), Ilja Rubinstein (Iru/lru/weru/jaru/ Rru/uru/bru/iru/nru/scru/tru/eru/ikru/nru/),
Κάμερα: Oleg Dobronrawow (Oru/lru/eru/gru/ Dru/oru/bru/rru/oru/nru/rru/aru/wru/oru/wru/),
Μουσική: Dimitri Atowmjan (Dru/mru/iru/tru/rru/iru/ikru/ Aru/tru/oru/wru/mru/jaru/nru/),

Υπόθεση:

Â»Papa« tells a story of a Jewish father who dreamed of seeing his son perform on a stage in front of huge audiences, he dreamed of seeing him as the greatest violinist of his time. To achieve the goal he taught his son Dodik how to play the violin from the yearly age. When Dodik grew up he left the small town he and his father lived in to study in the Moscow Conservatory leaving his past behind. But one day he has to choose either to loose his father or everything he has achieved.
Based on Alexander Galych’s play »Matrosskaya Tishina« (Â»Sailors’ Rest« – the name of a Moscow detention prison).

Â»Papa« is a magnificent Russian drama centering on the antagonistic relationship between Abraham, a poor Jewish Ukrainian businessman, and his son David, a musical prodigy. It is a risk-taking second directorial outing for non-Jewish Russian actor Vladimir Mashkov (Pavel Chukhrai’s The Thief), who also turns in a melodramatic, almost over-the-top performance as Papa Abraham. Growing up in the Ukraine, David is ashamed of his provincial roots and Jewish background. His father, who stews in self-hate magnified by alcohol, pushes his son to practice the violin, dreaming of greatness for him. David moves to Moscow and becomes a top student at the conservatory. His romantic relationship with a woman from his hometown continues in Moscow, and there are several other comrades waiting in line. When Papa comes for an unexpected visit, David is embarrassed by his poor Jewish father and his country ways. Mashkov successfully captures the refined world of the conservatory and Moscow in the 1930s – a tenuous atmosphere where party protocol is critical to success and even survival. Fathers and sons are a topic of interest and complexity in both Russian and Jewish culture. Mashkov, adapting Moscow’s Khudozhestveni Theatre production of Alexander Galich’s »Sailor’s SilenceÂ«, has realized an epic addition to the genre, while exploring anti-Semitism and the fate of Ukrainian Jews during World War II.

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