Женщина на свалке (Ang Babae sa Septic Tank)
Английское название: The Woman in the Septic Tank
Немецкое название: The Woman in the Septic Tank
Французское название: The Woman in the Septic Tank
Испанскийназвание: The Woman in the Septic Tank
Оригинальное название: Ang Babae sa Septic Tank
Немецкое название: The Woman in the Septic Tank
Французское название: The Woman in the Septic Tank
Испанскийназвание: The Woman in the Septic Tank
Оригинальное название: Ang Babae sa Septic Tank
Комедия – Philippinen
Производственный год: 2010
Продолжительность фильма: 87 минут
Производственный год: 2010
Продолжительность фильма: 87 минут
Режиссура: Marlon Rivera (Marlon N. Rivera)
Сценарист: Chris Martinez
Оператор: Larry Manda
Композитор: Vincent de Jesus
Сценарист: Chris Martinez
Оператор: Larry Manda
Композитор: Vincent de Jesus
Краткое содержание:
As far as their film school final project is concerned, these three students have only one goal in mind – international fame, including Oscars and festival prizes. They know what foreign audiences expect from Philippine cinema – prostitution, abuse, rubbish tips and slums – and apply this magic formula to develop the ultimate in misery porn. A mother, battered by life, sells her child to a sex tourist; a story as harsh and realistic as it is rousingly emotional. The only thing missing is a big-name star, but famous actresses can be such divas  ...
»Ang Babae sa Septic Tank« is the most successful independent film in the history of Philippine cinema, and a rare example of an intelligent film-within-a-film plot that takes an illuminating behind-the-scenes look at filmmaking. Highly entertaining and hugely self-deprecating, this comedy draws on ingrained clichés in order to shamelessly exploit them. In addition, the sophisticated dramatic structure allows leading lady, a Filipino movie star in real life, to deliver an exceptional performance, at once touching and wildly funny.
»Ang Babae sa Septic Tank« is the most successful independent film in the history of Philippine cinema, and a rare example of an intelligent film-within-a-film plot that takes an illuminating behind-the-scenes look at filmmaking. Highly entertaining and hugely self-deprecating, this comedy draws on ingrained clichés in order to shamelessly exploit them. In addition, the sophisticated dramatic structure allows leading lady, a Filipino movie star in real life, to deliver an exceptional performance, at once touching and wildly funny.
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