Maksimka (Максимка)
Γερμανικά Τίτλος: Der Junge vom Sklavenschiff
Γαλλικά Τίτλος: Maximka
Ισπανικά Τίτλος: Maximka
Ρωσική τίτλος: Максимка
Πρωτότυπος τίτλος: Максимка
Γαλλικά Τίτλος: Maximka
Ισπανικά Τίτλος: Maximka
Ρωσική τίτλος: Максимка
Πρωτότυπος τίτλος: Максимка
Abenteuerfilm – UdSSR
Έτος παραγωγής: 1952
Διάρκεια: 74 λεπτά
Έτος παραγωγής: 1952
Διάρκεια: 74 λεπτά
Σκηνοθεσία: Wladimir Braun (Владимир Браун),
Σεναριογράφος: Grigori Koltunow (Григорий Колтунов), Konstantin Stanjukowitsch (Константи́н Станюкович),
Κάμερα: Alexei Mischurin (Алексей Мишурин),
Μουσική: Igor Schamo (Игорь Шамо), Wadim Gomoljaka (Вадим Гомоляка),
Σεναριογράφος: Grigori Koltunow (Григорий Колтунов), Konstantin Stanjukowitsch (Константи́н Станюкович),
Κάμερα: Alexei Mischurin (Алексей Мишурин),
Μουσική: Igor Schamo (Игорь Шамо), Wadim Gomoljaka (Вадим Гомоляка),
Υπόθεση:
Saved by Russian sailors a black boy turned out to be the smart and kind nipper ...
Based on a story by K. Stanyukovich, the film »Maksimka« traces the life of a cheerful black orphan who is adopted by a band of Russian sailors and called Maksimka. The boy’s presence has a very positive effect upon these rough-and-tumble guys. None is more profoundly affected than hard-drinking deckhand Luchkin, whose regeneration takes up most of the film’s running time. Of interest is the art directors’ concept of what such port cities as Havana and Hong Kong must have looked like in 1864 ...
A literary story about an African boy rescued after a shipwreck, saved from slave-traders and adopted by a team of the Russian imperial corvette Bogatyr, received a cinematic reframing for alerting the Soviet public to the ideological agenda of Cold War as a global conflict.
Based on a story by K. Stanyukovich, the film »Maksimka« traces the life of a cheerful black orphan who is adopted by a band of Russian sailors and called Maksimka. The boy’s presence has a very positive effect upon these rough-and-tumble guys. None is more profoundly affected than hard-drinking deckhand Luchkin, whose regeneration takes up most of the film’s running time. Of interest is the art directors’ concept of what such port cities as Havana and Hong Kong must have looked like in 1864 ...
A literary story about an African boy rescued after a shipwreck, saved from slave-traders and adopted by a team of the Russian imperial corvette Bogatyr, received a cinematic reframing for alerting the Soviet public to the ideological agenda of Cold War as a global conflict.
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Dieser Film wurde von Franz-Josef in die Filmliste eingetragen!
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