Tree Without Leaves (Rakuyôju – 落葉樹)
Γερμανικά Τίτλος: Der Laubbaum
Γαλλικά Τίτλος: L’arbre sans feuille
Ισπανικά Τίτλος: El árbol sin hojas
Ρωσική τίτλος: Дерево без листьев
Πρωτότυπος τίτλος: Rakuyôju – 落葉樹
Γαλλικά Τίτλος: L’arbre sans feuille
Ισπανικά Τίτλος: El árbol sin hojas
Ρωσική τίτλος: Дерево без листьев
Πρωτότυπος τίτλος: Rakuyôju – 落葉樹
Παραλλαγές εναλλακτικών τίτλων:
Raku-yo-ju | Deciduous Tree | Árbol sin hojas
Raku-yo-ju | Deciduous Tree | Árbol sin hojas
Familiendrama – Japan
Έτος παραγωγής: 1986
Διάρκεια: 105 λεπτά
Έτος παραγωγής: 1986
Διάρκεια: 105 λεπτά
Σκηνοθεσία: Kaneto Shindô
Σεναριογράφος: Kaneto Shindô
Κάμερα: Yoshiyuki Miyake
Μουσική: Hikaru Hayashi
Σεναριογράφος: Kaneto Shindô
Κάμερα: Yoshiyuki Miyake
Μουσική: Hikaru Hayashi
Υπόθεση:
Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.
The story is simple. Haru has a mother who is dedicated to him in every way, emotionally engaged and prepared for extreme sacrifice for the smallest pleasure for him. On the other side is a father so stern he makes Bergman’s Scandinavian Lutherans seem mild. The mother dies when Haru is 11; all the siblings have fled and the boy at the end is stuck with his father, penniless. The thing is framed as the book the boy writes, now old and missing key parts of his soul. Lots of snow. Lots of lonely stares that contrast with the wide eyes of young Haru, selfish and demanding.
The story is simple. Haru has a mother who is dedicated to him in every way, emotionally engaged and prepared for extreme sacrifice for the smallest pleasure for him. On the other side is a father so stern he makes Bergman’s Scandinavian Lutherans seem mild. The mother dies when Haru is 11; all the siblings have fled and the boy at the end is stuck with his father, penniless. The thing is framed as the book the boy writes, now old and missing key parts of his soul. Lots of snow. Lots of lonely stares that contrast with the wide eyes of young Haru, selfish and demanding.
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