José Martí: The eye of the canary (José Martí: el ojo del canario)
Γερμανικά Τίτλος: José Martí: el ojo del canario (José Martí: Das Auge des Kanarienvogels)
Πρωτότυπος τίτλος: José Martí: el ojo del canario
Πρωτότυπος τίτλος: José Martí: el ojo del canario
Biographie – Kuba, Spanien
Έτος παραγωγής: 2009
Διάρκεια: 120 λεπτά
Έτος παραγωγής: 2009
Διάρκεια: 120 λεπτά
Σκηνοθεσία: Fernando Pérez
Σεναριογράφος: Fernando Pérez
Κάμερα: Raúl Pérez Ureta
Μουσική: Edesio Alejandro
Σεναριογράφος: Fernando Pérez
Κάμερα: Raúl Pérez Ureta
Μουσική: Edesio Alejandro
Υπόθεση:
Martí, between 9 and 17: the only years in which he closely experienced his homeland and learned to love and understand it, to do the great work that occupied the rest of his life. It is not a biography: it is a spiritual journey.
Pérez’s new feature film focuses on the life of José Martí, also known as El Apóstol, from age 9 to 17. The film is described as a look into the inner world of José Julián Martí Pérez and the formation of his character as a fair man and not a biography, but rather a spiritual journey. The director explains: Jose Martí was a truly sensitive man who marked the history of Cuba. But he was also a normal human being, like any one of us. I think that is what makes great men great. My film will delve into the day-to-day complexity that helped form Marti’s character during his childhood and teenage years. The point of view will lean more towards the personal rather than the historical; more subjective than biographic. Each Cuban has [his / her] own Martí. In this film, I would like to express my own.
Pérez’s new feature film focuses on the life of José Martí, also known as El Apóstol, from age 9 to 17. The film is described as a look into the inner world of José Julián Martí Pérez and the formation of his character as a fair man and not a biography, but rather a spiritual journey. The director explains: Jose Martí was a truly sensitive man who marked the history of Cuba. But he was also a normal human being, like any one of us. I think that is what makes great men great. My film will delve into the day-to-day complexity that helped form Marti’s character during his childhood and teenage years. The point of view will lean more towards the personal rather than the historical; more subjective than biographic. Each Cuban has [his / her] own Martí. In this film, I would like to express my own.
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