Ανθρωποι και Τερατα (Про уродов и людей)
Αγγλικά Τίτλος: Of Freaks and Men
Γερμανικά Τίτλος: Pro urodow i ljudej (Von Abartigen und Menschen)
Γαλλικά Τίτλος: Des monstres et des hommes
Ισπανικά Τίτλος: Pro urodow i ljudjej
Ρωσική τίτλος: Про уродов и людей
Πρωτότυπος τίτλος: Про уродов и людей
Γερμανικά Τίτλος: Pro urodow i ljudej (Von Abartigen und Menschen)
Γαλλικά Τίτλος: Des monstres et des hommes
Ισπανικά Τίτλος: Pro urodow i ljudjej
Ρωσική τίτλος: Про уродов и людей
Πρωτότυπος τίτλος: Про уродов и людей
Παραλλαγές εναλλακτικών τίτλων:
Pro urodov i lyudej / Pro urodow i ljudej / About Monsters and People / Anthropoi kai terata
Pro urodov i lyudej / Pro urodow i ljudej / About Monsters and People / Anthropoi kai terata
Historiendrama – Rußland
Έτος παραγωγής: 1998
Διάρκεια: 97 λεπτά
Έτος παραγωγής: 1998
Διάρκεια: 97 λεπτά
Σκηνοθεσία: Алексей Балабанов [Alexei Balabanow / Alexei Balabanov]
Σεναριογράφος: Алексей Балабанов [Alexei Balabanow / Alexei Balabanov]
Κάμερα: Сергей Астахов [Sergei Astachow / Sergei Astakhov], Валерий Ревич [Valeri Rewitsch / Valeri Ryevich]
Μουσική: Сергей Прокофьев [Sergei Prokofjew / Sergei Prokofyev]
Σεναριογράφος: Алексей Балабанов [Alexei Balabanow / Alexei Balabanov]
Κάμερα: Сергей Астахов [Sergei Astachow / Sergei Astakhov], Валерий Ревич [Valeri Rewitsch / Valeri Ryevich]
Μουσική: Сергей Прокофьев [Sergei Prokofjew / Sergei Prokofyev]
Υπόθεση:
The end of the XIX century. Two safe with a kind of families. And mysterious Yohann, the owner of a photographic studio in a basement of which a certain photographic theatre of Marquis de Sade is created. Where photographic cards with the humiliated nakedness of the human body causing lust and a gloating over celebration of authority are taken. A sight of the photographer, able to see in the girl angelic curls both a nice smile, and the same sight decomposing a body, a sight of pornographer. Yohann, marked by a devil, Yohann, killing soul. He gradually destroys well-being of families and transforms usual people into freaks. And aroma of defect covers the world.
»Pro urodov i lyudej« is a dark, quixotic look at the earliest days of underground film making in Russia. One of its most interesting features is that the entire film is shot in sepia tone rather than full colour, no doubt to emphasize the dreariness of its subject. There are a few outdoor scenes that show us a blue sky, but aside from that the entire film is rendered in that muted sepia colour.
The sad-faced, willowy Dinara Drukarova plays Lisa, a young woman who is imprisoned in her own family home and forced to pose nude for the camera, being whipped on screen for the pleasure of a few depraved male customers. After several months of captivity, Lisa escapes and heads for the big city to make a new life for herself ... but discovers that the degrading scenes she has been posing for have become a fixation for her.
The title translates into English as »Of Freaks and Men«. The »freaks« part comes in when we are introduced to the pre-pubescent Siamese twins Kolya and Tolya, joined at the waist. They become the focus of Victor Ivanov’s vile curiosity and the scenes involving this fascination are uncomfortable. But as the film progresses, we perceive that the twins are the least »freaky« characters in the film.
»Pro urodov i lyudej« is a dark, quixotic look at the earliest days of underground film making in Russia. One of its most interesting features is that the entire film is shot in sepia tone rather than full colour, no doubt to emphasize the dreariness of its subject. There are a few outdoor scenes that show us a blue sky, but aside from that the entire film is rendered in that muted sepia colour.
The sad-faced, willowy Dinara Drukarova plays Lisa, a young woman who is imprisoned in her own family home and forced to pose nude for the camera, being whipped on screen for the pleasure of a few depraved male customers. After several months of captivity, Lisa escapes and heads for the big city to make a new life for herself ... but discovers that the degrading scenes she has been posing for have become a fixation for her.
The title translates into English as »Of Freaks and Men«. The »freaks« part comes in when we are introduced to the pre-pubescent Siamese twins Kolya and Tolya, joined at the waist. They become the focus of Victor Ivanov’s vile curiosity and the scenes involving this fascination are uncomfortable. But as the film progresses, we perceive that the twins are the least »freaky« characters in the film.
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