Eigentlich sollten wir... (Eigentlich sollten wir ...)
Πρωτότυπος τίτλος: Eigentlich sollten wir ...
Παραλλαγές εναλλακτικών τίτλων:
Eigentlich sollten wir...
Eigentlich sollten wir...
Komödie – Österreich
Έτος παραγωγής: 2021
Διάρκεια: 93 λεπτά
Έτος παραγωγής: 2021
Διάρκεια: 93 λεπτά
Σκηνοθεσία: Harald Sicheritz
Σεναριογράφος: Klaus Eckel, Thomas Mraz
Κάμερα: Thomas Kürzl
Μουσική: Patrik Lerchmüller
Σεναριογράφος: Klaus Eckel, Thomas Mraz
Κάμερα: Thomas Kürzl
Μουσική: Patrik Lerchmüller
Υπόθεση:
Stefan Steindl – press photographer, married, three children – founded the PAK (Parents against Krempel) to take action against plastic. But the police get wind of it.
Stefan is a passionate family man and photographer. Together, he and his wife Marion, a freelance graphic designer, manage life with their three children in the big city. The result: a lot of love, a lot of stress, and a lot of waste. Everything would be fine, but we should actually live much more carefully. At least, this is what Stefan realizes when he meets an action group of committed citizens who meet at a repair café – united in the fight against plastic and waste. Stefan joins the chaotic underground rebels. To rouse the population, they label toys from a well-known toy manufacturer with anti-consumerist messages. The police soon classify the action group as a terrorist cell and hunt down the troublemakers. On top of that, Marion is able to win the contract for a new campaign for the toy company and its boss Betty, and hires her husband Stefan as a photographer for the job. Forced to lead a double life, his life, and with it their life together, increasingly falls apart.
Stefan is a passionate family man and photographer. Together, he and his wife Marion, a freelance graphic designer, manage life with their three children in the big city. The result: a lot of love, a lot of stress, and a lot of waste. Everything would be fine, but we should actually live much more carefully. At least, this is what Stefan realizes when he meets an action group of committed citizens who meet at a repair café – united in the fight against plastic and waste. Stefan joins the chaotic underground rebels. To rouse the population, they label toys from a well-known toy manufacturer with anti-consumerist messages. The police soon classify the action group as a terrorist cell and hunt down the troublemakers. On top of that, Marion is able to win the contract for a new campaign for the toy company and its boss Betty, and hires her husband Stefan as a photographer for the job. Forced to lead a double life, his life, and with it their life together, increasingly falls apart.
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