Good Machine Gun Sound (God maskingeværlyd)
Titre allemand : God maskingeværlyd (Ein gutes Maschinengewehrgeräusch)
Titre russe : Добрый звук автомата
Titre original : God maskingeværlyd
Titre russe : Добрый звук автомата
Titre original : God maskingeværlyd
Titres alternatifs :
Хороший звук автомата
Хороший звук автомата
Film bref – Norvège
Année de production : 2013
Durée du film : 15 minutes
Année de production : 2013
Durée du film : 15 minutes
Réalisateur : Truls Krane Meby
Livre : Truls Krane Meby
Caméra : Benjamin Loeb
Livre : Truls Krane Meby
Caméra : Benjamin Loeb
Description du film :
In the north of Norway eight-year-old Arvid faces death in his life for the first time. As his family mourns around him, we float with him through his struggles with this loss of innocence.
Yesterday Arvid was seven years old, and today he is eight. While setting up for his party, his mother receives a phone call; her twin sister in the city has suddenly died. The meaning of this news has yet to really dawn on him, but its weight has fallen with a physical force on the rambunctious little boy in the yard, spraying his family with play machine gun fire. A break, inevitable as turning another year older, has been placed in the flowing path of afternoons spent charging through the house and roughhousing with his baby brother. Arvid’s discovery of life’s impermanence is less a conscious recognition than an understanding felt in the body, an awareness that is surfaced and interpreted through small rituals.
Yesterday Arvid was seven years old, and today he is eight. While setting up for his party, his mother receives a phone call; her twin sister in the city has suddenly died. The meaning of this news has yet to really dawn on him, but its weight has fallen with a physical force on the rambunctious little boy in the yard, spraying his family with play machine gun fire. A break, inevitable as turning another year older, has been placed in the flowing path of afternoons spent charging through the house and roughhousing with his baby brother. Arvid’s discovery of life’s impermanence is less a conscious recognition than an understanding felt in the body, an awareness that is surfaced and interpreted through small rituals.
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