Tu es mon fils (La finestra sul Luna Park)
Titre anglais : The Window to Luna Park
Titre allemand : Das Fenster zum Lunapark
Titre russe : Окно в луна-парк
Titre original : La finestra sul Luna Park
Titre allemand : Das Fenster zum Lunapark
Titre russe : Окно в луна-парк
Titre original : La finestra sul Luna Park
Titres alternatifs :
Mein Sohn Mario
Mein Sohn Mario
Drame – France, Italie
Année de production : 1956
Durée du film : 90 minutes
Année de production : 1956
Durée du film : 90 minutes
Réalisateur : Luigi Comencini
Livre : Suso Cecchi d’Amico, Luigi Comencini
Livre : Suso Cecchi d’Amico, Luigi Comencini
Description du film :
After the mother dies in a street accident, Aldo returns to Rome where his family lives, but only with the intention of putting the boy in an orphanage so that he can return to his job. Mario is indifferent to this father that he barely knows, but is deeply devoted to the affectionate and caring Righetto. Righetto works at odd jobs and has not had much in the way of financial stability, and yet the boy wants to become like him when he grows up. He does poorly in school.
A rivalry develops between real father and de-facto father Righetto. The boy runs away to be with Righetto, until the father retrieves him. Righetto is a kind and meek man and very patient with the boy but also honest is confronting the boy’s father about his relationship in the past with Ada when Aldo hints they were lovers. Always the gentleman, in fact nearly a saint, Righetto reassures the man that nothing had ever taken place, except his genuine affection for the boy.
Righetto urges the father to remain, fulfill his parental duties, get to know his son, and not abandon him. By the end of the film, in a reversal, it is Righetto who goes off to work on a farm, and it is Aldo who, at Righetto’s urging, will remain. Righetto has a last meeting with the boy at the nearby amusement park of the film’s title and urges the lad to walk toward his dad, which he does. In the last few moments of the movie we see the father carrying the boy on his back to a carnival ride, which they will go on together, though he claims »fear« and though the boy doubts it. It is the birth of a new relationship, a boy with his true father, finally capable of the love he needs to give his son. And it is heartfelt and really a moving episode.
A rivalry develops between real father and de-facto father Righetto. The boy runs away to be with Righetto, until the father retrieves him. Righetto is a kind and meek man and very patient with the boy but also honest is confronting the boy’s father about his relationship in the past with Ada when Aldo hints they were lovers. Always the gentleman, in fact nearly a saint, Righetto reassures the man that nothing had ever taken place, except his genuine affection for the boy.
Righetto urges the father to remain, fulfill his parental duties, get to know his son, and not abandon him. By the end of the film, in a reversal, it is Righetto who goes off to work on a farm, and it is Aldo who, at Righetto’s urging, will remain. Righetto has a last meeting with the boy at the nearby amusement park of the film’s title and urges the lad to walk toward his dad, which he does. In the last few moments of the movie we see the father carrying the boy on his back to a carnival ride, which they will go on together, though he claims »fear« and though the boy doubts it. It is the birth of a new relationship, a boy with his true father, finally capable of the love he needs to give his son. And it is heartfelt and really a moving episode.
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