The Window to Luna Park (La finestra sul Luna Park)
Alemania título: Das Fenster zum Lunapark
Francés título: Tu es mon fils
Rusia título: Окно в луна-парк
Título original: La finestra sul Luna Park
Francés título: Tu es mon fils
Rusia título: Окно в луна-парк
Título original: La finestra sul Luna Park
Título alternativas:
Mein Sohn Mario
Mein Sohn Mario
Drama – Frankreich, Italien
Año de producción: 1956
Duración: 90 minutos
Año de producción: 1956
Duración: 90 minutos
Dirección: Luigi Comencini
Guionista: Suso Cecchi d’Amico, Luigi Comencini
Guionista: Suso Cecchi d’Amico, Luigi Comencini
Sinopsis:
After the mother dies in a street accident, Aldo returns to Rome where his family lives, but only with the intention of putting the boy in an orphanage so that he can return to his job. Mario is indifferent to this father that he barely knows, but is deeply devoted to the affectionate and caring Righetto. Righetto works at odd jobs and has not had much in the way of financial stability, and yet the boy wants to become like him when he grows up. He does poorly in school.
A rivalry develops between real father and de-facto father Righetto. The boy runs away to be with Righetto, until the father retrieves him. Righetto is a kind and meek man and very patient with the boy but also honest is confronting the boy’s father about his relationship in the past with Ada when Aldo hints they were lovers. Always the gentleman, in fact nearly a saint, Righetto reassures the man that nothing had ever taken place, except his genuine affection for the boy.
Righetto urges the father to remain, fulfill his parental duties, get to know his son, and not abandon him. By the end of the film, in a reversal, it is Righetto who goes off to work on a farm, and it is Aldo who, at Righetto’s urging, will remain. Righetto has a last meeting with the boy at the nearby amusement park of the film’s title and urges the lad to walk toward his dad, which he does. In the last few moments of the movie we see the father carrying the boy on his back to a carnival ride, which they will go on together, though he claims »fear« and though the boy doubts it. It is the birth of a new relationship, a boy with his true father, finally capable of the love he needs to give his son. And it is heartfelt and really a moving episode.
A rivalry develops between real father and de-facto father Righetto. The boy runs away to be with Righetto, until the father retrieves him. Righetto is a kind and meek man and very patient with the boy but also honest is confronting the boy’s father about his relationship in the past with Ada when Aldo hints they were lovers. Always the gentleman, in fact nearly a saint, Righetto reassures the man that nothing had ever taken place, except his genuine affection for the boy.
Righetto urges the father to remain, fulfill his parental duties, get to know his son, and not abandon him. By the end of the film, in a reversal, it is Righetto who goes off to work on a farm, and it is Aldo who, at Righetto’s urging, will remain. Righetto has a last meeting with the boy at the nearby amusement park of the film’s title and urges the lad to walk toward his dad, which he does. In the last few moments of the movie we see the father carrying the boy on his back to a carnival ride, which they will go on together, though he claims »fear« and though the boy doubts it. It is the birth of a new relationship, a boy with his true father, finally capable of the love he needs to give his son. And it is heartfelt and really a moving episode.
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