The Unknown Soldier’s Patent Leather Shoes (Лачените обувки на незнайния воин)
Alemania título: Ballade von den schwarzen Lackschuhen
Rusia título: Лакированные ботинки неизвестного солдата
Título original: Лачените обувки на незнайния воин
Rusia título: Лакированные ботинки неизвестного солдата
Título original: Лачените обувки на незнайния воин
Título alternativas:
Latschenite obuwki na nesnainija woin | Lachenite obuvki na neznayniya voin | Лачените обувки на незнайния воин | Лаковые ботинки неизвестного солдата | Der Soldat mit den Lackschuhen | Die Lackschuhe des unbekannten Soldaten
Latschenite obuwki na nesnainija woin | Lachenite obuvki na neznayniya voin | Лачените обувки на незнайния воин | Лаковые ботинки неизвестного солдата | Der Soldat mit den Lackschuhen | Die Lackschuhe des unbekannten Soldaten
Heimatfilm – Bulgarien
Año de producción: 1978
Duración: 84 minutos
Año de producción: 1978
Duración: 84 minutos
Dirección: Rangel Wultschanow (Рангел Вълчанов),
Guionista: Rangel Wultschanow (Рангел Вълчанов),
Fotografía: Radoslaw Spassow (Радослав Спасов),
Música: Kiril Dontschew (Кирил Дончев),
Guionista: Rangel Wultschanow (Рангел Вълчанов),
Fotografía: Radoslaw Spassow (Радослав Спасов),
Música: Kiril Dontschew (Кирил Дончев),
Sinopsis:
A middle-aged Bulgarian is watching the change of the guard in front of the Buckingham Palace. For no apparent reason, while looking, in his mind he gets back to his childhood in the little Bulgarian village, he grew up in. Different rites, different traditions and still he finds something in common. He recalls the people he knew, he feared or admired. He ponders over that life of no brilliance, where people plough, harvest, marry and die, celebrate or grieve. Miracle are also worked, conceived in a unlimited child’s imagination. It is the child’s perception of the world that helps us to give a meaning to the major questions of human existence.This is a part-autobiographical reverie of remembered childhood. Filming the Changing of the Guard in London, writer/director Vulchanov accidentally plays a recording of an old harvest song which transports him back to his boyhood country village at the beginning of WWII. It’s a lively, affectionate, humourous and deliberately anachronistic (or time non-dependent) re-enactment of bucolic poverty, filtered through the vivid imagination of the appealing ten-year-old Mone (Tsankov), with nice camerawork and a sprightly traditional score.
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