Night and Day (Nosht i den)
German title: Nosht i djen (Nacht und Tag)
Francaise title: Nuit et jour
Spain title: Noche y día
Russian title: Нощ и ден (Ночь и день)
Original title: Nosht i den
Francaise title: Nuit et jour
Spain title: Noche y día
Russian title: Нощ и ден (Ночь и день)
Original title: Nosht i den
Alternative titles:
Night & Day / Ночь и день
Night & Day / Ночь и день
Drama – Bulgaria
Production year: 2006
Movie length: 115 minutes
Production year: 2006
Movie length: 115 minutes
Director: Красимир Крумов (Krassimir Krumow, Krasimir Krumov, Krassimir Kroumov)
Movie description:
This is a mountain story. Marko is 12 years and he is enraptured by his boundless childish fantasies and games. He has to grow into man quickly. After a savage turn of fate the skills and advice he had ignored until today will come into use to help him save his mother. He is alone in the mountains and he has to overcome mistrust and difficulties and those who help him have to overcome their own prejudice. Marko hopes to reach the distant village where his mother may find salvation. The road is very long ...
Twelve-year-old Marko lives in a remote Bul-garian village, a village suffering from poverty and some Christian-Muslim tensions, but nothing that a high-spirited young boy with a lively imagination can’t see past. When Marko’s father takes leave of the family for a travelling building job, it falls to his mother to run the family farm. After some village ruffians brutalize his mother, the two seek refuge in the home of the village hodja, or holy man, Hyusni. Here Marko begins to learn more about the long-running problems plaguing his village, including Hyusni’s own role in perpetuating them.
Writer-director Krasimir Krumov’s film is reminiscent of Iranian neorealism in its choice of protagonist, the allegorical dimensions of village life standing in for a larger historical canvas, and use of poetic landscape compositions.
Twelve-year-old Marko lives in a remote Bul-garian village, a village suffering from poverty and some Christian-Muslim tensions, but nothing that a high-spirited young boy with a lively imagination can’t see past. When Marko’s father takes leave of the family for a travelling building job, it falls to his mother to run the family farm. After some village ruffians brutalize his mother, the two seek refuge in the home of the village hodja, or holy man, Hyusni. Here Marko begins to learn more about the long-running problems plaguing his village, including Hyusni’s own role in perpetuating them.
Writer-director Krasimir Krumov’s film is reminiscent of Iranian neorealism in its choice of protagonist, the allegorical dimensions of village life standing in for a larger historical canvas, and use of poetic landscape compositions.
Boy Actors
More informations
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